Skip to main content

An Ode to Spring

At my current church, there is an adorable old man named George. There's something about old-man Georges that get to me. (It's probably not hard for you all to figure it out.) 

This George is even older than my Grampie. And on top of being a centarian, he is also a poet. In fact, when I initially expressed interest in his poetry, he brought me three of his four volumes the following week (he couldn't find any copies of Volume 1).


A few weeks ago, during coffee hour (after the early service, 8 or 10 of us sit around and eat a breakfast of cookies and coffee), we got to discussing the weather, and this slow movement towards spring.

One of my friends/colleagues there is a Maritimer, and she is particularly fond of the winter season. I am not so inclined. She was lamenting the ugliness of this liminal season before spring, and the inevitability of wet feet and dirty half-snow everywhere.

"I look forward to the slush!" George piped up. And we all laughed.

"That sounds like the start of a poem!" I said, and before long we were all urging him to write an Ode to Spring.

The following week, we eagerly asked if he had written our springtime poem. He laughed us off, and I thought, "Better not push too hard."

So yesterday, I said nothing, and we were mid-way through our coffees and cookies when George pulled a piece of paper out of his pocket. The much-demanded poem, he told us, is entitled "You Asked Me."

It is my favourite poem about spring, of all times, ever. The first line especially is a killer. I wish you all could see him reading it, slouched into the couch, cookie crumbs on his suit jacket, and a grin on his face.

You Asked Me 

Glory be to spring for ambient slush
As sullen winter humiliates in mush.
Delighted by water rushing down the drain,
We even welcome spring's too frequent rain.

Comments

Popular posts from this blog

Simone Weil: On "Forms of the Implicit Love of God"

Simone Weil time again! One of the essays in Waiting for God  is entitled "Forms of the Implicit Love of God." Her main argument is that before a soul has "direct contact" with God, there are three types of love that are implicitly  the love of God, though they seem to have a different explicit  object. That is, in loving X, you are really loving Y. (in this case, Y = God). As for the X of the equation, she lists: Love of neighbor  Love of the beauty of the world  Love of religious practices  and a special sidebar to Friendship “Each has the virtue of a sacrament,” she writes. Each of these loves is something to be respected, honoured, and understood both symbolically and concretely. On each page of this essay, I found myself underlining profound, challenging, and thought-provoking words. There's so much to consider that I've gone back several times, mulling it over and wondering how my life would look if I truly believed even half of these thi...

The ROM, The Earth & Procreation

Disclaimer: This post is intended to generate discussion and a sharing of many opinions. It is NOT intended to judge or condemn anyone's life choices. I had an unexpected moment at the ROM last month. C and I were listening to a presentation for kids on wildlife conservation (or rather, I was listening, and C was eagerly anticipating what live animal would come out next), when a statement caught my attention and still hasn't let go. For most of history, the earth could provide enough resources for the earth's human population. But today, our population is growing rapidly, increasing by 250 000 people every day... Forty years from now, it will require 2 Earths to provide sustainably for our survival as a human species. But we only have 1 Earth. 250 000 people. Every day. That is roughly twice the size of my hometown. In one day. So I did a little math. (First, I rounded down to 200 000, just in case the figures were inflated or failed to account for some sort o...

Esse - Czeslaw Milosz

I'm on a bit of a poetry binge this week, and Monday afternoon found me lying on the luxurious shag rug of a friend's tiny apartment, re-reading some of my favourite poets (ee cummings, William Carlos Williams, Czeslaw Milosz). It is an adventure to re-open a collection and wonder what will pop out, knowing something you've read before will strike you afresh, or you will be reminded of a particularly moving line that you had somehow forgotten. Like this piece from Milosz, which floors me. Every. damn.* time. The first time I read it, I lay in a park with a friend (this same friend who offered me her rug as my reading burrow) and demanded that I share it with her. I spoke it carefully, and then, into the post-reading silence, I slammed the book shut, and dropped it as loudly as I could onto the grass. "I'm never reading anything again," I declared, "What else is there to say?" Esse I looked at that face, dumbfounded. The lights of métro st...