Skip to main content

Angst Through the Years

Yesterday was the fourth (and for me, final) installment of our fledgling writers' group. Our theme this time around was teen angst. Instead of writing something fresh, I took the lazy (and yet courageous) path of reading poetry I wrote at the tender age of 15. I was literally rolling on the floor laughing at my young self. The most overly dramatic of the poems, I had someone else read. I couldn't get through my heavy metaphors and expansive generalizations of things I (still) know nothing about.

We all agreed that although we are all far from being teenagers (I am the youngest of the group, at the ripe old age of a quarter century), the roots of our teen angst still exist. They just manifest in more subtle ways.

Anyway. This week's inspirational selection was from Six Degrees of Separation, a play by John Guare. The line from the Catcher in the Rye based soliloquy that stood out to me was:

"To face ourselves, that's the hardest thing. The imagination, that's God's gift to make the act of self-examination bearable."


And I wrote.

External blame for internal angst
and
Internal blame for external angst.

The problem with self examination
is that it spirals endlessly.
Like a perpetual motion machine.
First one way
Then the other.
Angst and blame.
Blame and angst.
Muddling the two
Spinning so rapidly
That the blue and the red
Are made invisible
And what remains is dark.

A reverse paralysis,
The inability to stop,
To shut off,
And see clearly
Where lines can be drawn
and boxes outlined
and a checkmark placed neatly
beside the line that reads
"Self-examination complete."




I have to say, as I'm thinking about it, that this little group has been an unexpected and easy blessing in my life. Friendships have formed faster than I expected, and encouragement has come in unlikely ways. Something similar will be a part of my life in Toronto, I hope.

Comments

Popular posts from this blog

Simone Weil: On "Forms of the Implicit Love of God"

Simone Weil time again! One of the essays in Waiting for God  is entitled "Forms of the Implicit Love of God." Her main argument is that before a soul has "direct contact" with God, there are three types of love that are implicitly  the love of God, though they seem to have a different explicit  object. That is, in loving X, you are really loving Y. (in this case, Y = God). As for the X of the equation, she lists: Love of neighbor  Love of the beauty of the world  Love of religious practices  and a special sidebar to Friendship “Each has the virtue of a sacrament,” she writes. Each of these loves is something to be respected, honoured, and understood both symbolically and concretely. On each page of this essay, I found myself underlining profound, challenging, and thought-provoking words. There's so much to consider that I've gone back several times, mulling it over and wondering how my life would look if I truly believed even half of these thi...

I Like to Keep My Issues Drawn

It's Sunday night and I am multi-tasking. Paid some bills, catching up on free musical downloads from the past month, thinking about the mix-tape I need to make and planning my last assignment for writing class. Shortly, I will abandon the laptop to write my first draft by hand. But until then, I am thinking about music. This song played for me earlier this afternoon, as I attempted to nap. I woke up somewhere between 5 and 5:30 this morning, then lay in bed until 8 o'clock flipping sides and thinking about every part of my life that exists. It wasn't stressful, but it wasn't quite restful either...This past month, I have spent a lot of time rebuffing lies and refusing to believe that the inside of my heart and mind can never change. I feel like Florence + The Machine 's song "Shake it Out" captures many of these feelings & thoughts. (addendum: is the line "I like to keep my issues strong or drawn ?" Lyrics sites have it as "stro...

Esse - Czeslaw Milosz

I'm on a bit of a poetry binge this week, and Monday afternoon found me lying on the luxurious shag rug of a friend's tiny apartment, re-reading some of my favourite poets (ee cummings, William Carlos Williams, Czeslaw Milosz). It is an adventure to re-open a collection and wonder what will pop out, knowing something you've read before will strike you afresh, or you will be reminded of a particularly moving line that you had somehow forgotten. Like this piece from Milosz, which floors me. Every. damn.* time. The first time I read it, I lay in a park with a friend (this same friend who offered me her rug as my reading burrow) and demanded that I share it with her. I spoke it carefully, and then, into the post-reading silence, I slammed the book shut, and dropped it as loudly as I could onto the grass. "I'm never reading anything again," I declared, "What else is there to say?" Esse I looked at that face, dumbfounded. The lights of métro st...